ĭespite being a multi-genre film, Holkenborg approached it as a "personal story about Alita" and composed it in a way where "the whole score is meant to be through her eyes".
In his career as an instrumentalist, Holkenborg used organic instruments and strings, which felt him great to find "a combination between the vast experience of an orchestra and sound design with synthesizers". As science fiction and dystopian films were heavily reliant on electronic music, Holkenborg decided to have a different approach to the film score using orchestral themes. He later joined the film as score composer in December 2017 and began working on the score. Holkenborg stated that the specific instruction from the director and producers, were is "to feel the heart of the film". Tom Holkenborg watched the initial cut of the film in August 2017, and had discussed with director Robert Rodriguez and producers James Cameron and Jon Landau, about the film's music.
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